Madonna and Child with Two Angels, Saint Rose, and Saint Catherine of Alexandria
late 1480s/early 1490s
Artist
Artist, Umbrian, c. 1450 - 1523

Artwork overview
-
Medium
oil on panel
-
Credit Line
-
Dimensions
overall: 99.06 × 90.17 cm (39 × 35 1/2 in.)
framed: 124.14 × 115.89 × 10.8 cm (48 7/8 × 45 5/8 × 4 1/4 in.) -
Accession
2015.19.41
More About this Artwork

Video: Masterful Restoration: Bringing Life Back to a 500-Year-Old School of Perugino Painting
Watch as our skilled conservator revives this 16th-century School of Perugino painting.
Artwork history & notes
Provenance
Leon Potocki [1799-1864].[1] Sir George Donaldon [1845-1925], London; sold 1907 to William A. Clark [1839-1925], New York;[2] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.
[1] On the reverse of the painting is a paper label depicting a crown, plumes, a coat of arms, and the name "Leon Potocki."
[2] Dana H. Carroll, Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue, Part I, Unpublished manuscript, n.d. (1925): 128, no. 60. Carroll writes that the painting belonged to "Prince Sotocke," likely an incorrect rendering of Leon Potocki's name.
Associated Names
Exhibition History
2023
Il meglio maestro d’Italia: Perugino e il suo tempo, Galleria Nazionale dell’Umbria, Perugia, 2023, no. V.6, repro.
Bibliography
1925
Carroll, Dana H. Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue. Part I. Unpublished manuscript, n.d. (1925): 128, no. 60.
1932
Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 81, as by Bernardino di Mariotto.
1936
Berenson, Bernard. Pitture italiane del Rinascimento. Milan, 1936: 70, as by Bernardino di Mariotto.
1969
Camesasca, Ettore. L’opera completa del Perugino. Milan, 1969: 93, under cat. 28.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 161, 643.
1984
Scarpellini, Pietro. Perugino. Milan, 1984: 81.
1997
Antenucci Becherer, Joseph. "Perugino in America: Masterpieces, Myths, and Mistaken Identities." In Joseph Antenucci Becherer, ed. Pietro Perugino: Master of the Italian Renaissance. Exh. cat., The Grand Rapids Art Museum, Grand Rapids, 1997: 115.
2023
Martelli, Cecilia. “Dopo il successo della Sistina: le opere di Perugino degli anni ottanta.” In Marco Pierini and Veruska Picchiarelli, eds. Il meglio maestro d’Italia. Perugino e il suo tempo. Exh. cat., Galleria Nazionale dell’Umbria, Perugia, 2023: 261, as possibly by Antonio da Viterbo, called Pastura.
Shaneyfelt, Sheri Francis. Painting in Renaissance Perugia: Perugino, Raphael, and their Circles. Cambridge, 2023: 34-36, fig. 1.16, as Attributed to Andrea d’Assisi, called Ingegno.
Wikidata ID
Q46624477