Madonna on the Crescent
c. 1470
Artist, German, c. 1450 - 1491

Artwork overview
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Medium
engraving
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Credit Line
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Dimensions
sheet (trimmed to plate mark): 17.2 x 10.8 cm (6 3/4 x 4 1/4 in.)
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Accession
1943.3.50
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Catalogue Raisonné
Hollstein, no. 40, State only
Artwork history & notes
Provenance
J.D. Böhm [1794-1865], Vienna; (Charles Sessler, Philadelphia); purchased by Lessing J. Rosenwald [1891-1979], 1930; gift to NGA, 1943.
Associated Names
Exhibition History
1954
Early German Prints, Portland Art Museum, Portland, OR, 1954.
1955
Speed Museum, Louisville, KY, 1955.
1959
Graphic Art of Durer and Schongauer, University of Minnesota, Minneapolis, MN, 1959, no catalogue.
1967
Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C., NGA, 1967-1968, no. 35, repro.
1973
The Apocalypse, University of Maryland Art Gallery, College Park, 1973, no. 3, repro.
Bibliography
1908
Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1908-1934.
1949
Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge
1967
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 35.
Watermarks
triple mountain with cloverleaf (Lehrs 13)
Wikidata ID
Q64960237