Portrait of a Gentleman
c. 1650/1655
Painter
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 55.5 x 48 cm (21 7/8 x 18 7/8 in.)
framed: 71.4 x 63.5 x 4.1 cm (28 1/8 x 25 x 1 5/8 in.) -
Accession
1947.17.91
Artwork history & notes
Provenance
(Rose M. [Mrs. Augustus] de Forest, New York); sold 29 December 1924 to Thomas B. Clarke [1848-1931], New York, as a portrait of Richard Bellingham by William Read;[1] sold by Clarke's executors through (M. Knoedler & Co., New York), 29 January 1936, as part of the Clarke collection, by The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift to NGA, 1947.
[1] According to 1928 Clarke catalogue annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). The provenance from Captain Edward Pelham, nephew of Mrs. Bellingham, supplied by the dealer, de Forest, cannot be verified. See William P. Campbell, memorandum, 22 November 1965, in NGA curatorial files.
Associated Names
Exhibition History
1925
A Loan Exhibition of the Earliest Known Portraits of Americans Painted in This County by Painters of the Seventeenth and Eighteenth Centuries, The Century Association, New York, 1925, no. 6, as Richard Bellingham by William Read.
1928
Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries, Collected by Thomas B. Clarke, Philadelphia Museum of Art, 1928-1931, unnumbered and unpaginated catalogue, as Richard Bellingham by William Read.
Bibliography
1932
Sherman, Frederic Fairchild. Early American Painting. New York and London, 1932: 6-8, pl. 1.
1970
American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 172, repro., as by European of Unknown Nationality.
1980
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 308, as by Unknown [Formerly Considered American].
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 407, repro., as by Unknown Nationality 17th Century.
1992
Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 291-292, repro. 292.
Inscriptions
falsely inscribed, reverse in ink: Govr.Ri. / Bellingham Effiegies [sic] / Delind Boston Anno Dom. 1641 / Aetatis 49 W.R.
Wikidata ID
Q20177337