The Barn
1922
Artist, American, 1864 - 1946

Artwork overview
-
Medium
palladium print
-
Credit Line
-
Dimensions
image (visible): 23.3 × 18.6 cm (9 3/16 × 7 5/16 in.)
mat: 56.6 × 45.8 cm (22 5/16 × 18 1/16 in.) -
Accession
1949.3.613
-
Stieglitz Estate Number
42C
Part of Stieglitz Key Set Online Edition
Learn more -
Key Set Number
781

Alfred Stieglitz
Curious for more Alfred Stieglitz scholarship?
Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.
Artwork history & notes
Provenance
Georgia O'Keeffe; gift to NGA, 1949.
Associated Names
Bibliography
2002
Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 781.
Inscriptions
by Georgia O'Keeffe, on mount, lower left, in graphite: Treated by Steichen - 1929; lower left verso, in graphite: 42C
Wikidata ID
Q64035296
Scholarly Remarks and Key Set Data
Remarks
“I have had my eye on the barns. Have been experimenting with them. In connection with a tree” (Stieglitz to Rebecca Strand, 27 July 1922 [YCAL]).
Stieglitz Collections
A corresponding print was given to the following institution(s) by Alfred Stieglitz during his lifetime, or was received or acquired from the estate:
National Museum of Modern Art, Tokyo, Ph-144 [platinum]
Philadelphia Museum of Art, 1943-18-82
Other Collections
A print corresponding with this photograph can also be found in the following collection(s):
Philadelphia Museum of Art, 1976-212-1 [gelatin silver] (inscribed: For Dorothy / Alfred S. / Dec. 21/31 / Lake George—The Barn— / 1920)
Lifetime Exhibitions
A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:
1923, New York (nos. 89–91, as The Barns, 1922)