The Man of Sorrows and Mater Dolorosa
1512
Artist, German, c. 1486 - 1520
Publisher, German, 1500 - 1525

Artwork overview
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Medium
woodcut with letterpress text, highlighted with red ink, on laid paper
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Credit Line
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Dimensions
block (upper): 21.1 × 23.6 cm (8 5/16 × 9 5/16 in.)
block (lower): 14.7 × 3.7 cm (5 13/16 × 1 7/16 in.)
overall: 41.6 × 26.5 cm (16 3/8 × 10 7/16 in.) -
Accession
1952.8.473
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Catalogue Raisonné
Hollstein, no. 3, State only
Artwork history & notes
Provenance
(Heinrich Eisemann [1890-1972], London); purchased by Lessing J. Rosenwald [1891-1979], 1951; gift to NGA, 1952.
Associated Names
Exhibition History
1983
Nuremberg: A Renaissance City, 1500-1618, Archer M. Huntington Art Gallery, University of Texas at Austin, no. 59, repro.
Bibliography
1949
Hollstein's German Engravings, Etchings and Woodcuts, 1400-1700. Vol. XCIV (Wolf Traut, Dieter Beaujean, author). Ouderkerk aan den Ijssel: Sound & Vision Publishers, 2019, no. 3, state only.
1983
Smith, J.C. Nuremberg: A Renaissance City, 1500-1618. Austin, 1983: no. 59.
1994
Smith, Jeffrey Chipps. German Sculpture of the Later Renaissance, 1520-1580. Princeton, NJ, 1994: no. 2.
Inscriptions
bottom of central woodcut, in the block: ASPICE QVI TRANSIS QVIA TV MIHI CAVSA DOLORIS (Behold [you] who pass by because you [are] the cause of my sorrow); in letterpress type, in two columns below central woodcut: [Sebastian Brant's sixty-eight-line poetic dialogue "Querulosa Christi consolatio ad dolorosam virginis Marie compassionem"]; in letterpress type, below Brant's text: [dedication to Hieronymus Ebner]; in letterpress type, with dedication at the bottom of broadsheet: Impressum Nurermbergeper / Hieronymus Holtzel. Anno.12.; in letterpress type, at the bottom of broadsheet: [2 line indulgence]
Watermarks
bull's head with eyes, nostrils, and the letter T above (similar to Briquet 15172-15178)
Wikidata ID
Q65369192