Lady with a Dog

1891

Henri de Toulouse-Lautrec

Artist, French, 1864 - 1901

Media Options

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On View

West Building Main Floor, Gallery 80

Artwork overview

Artwork history & notes

Provenance

(Jos Hessel, Paris), by 1926.[1] Gerald Brooks [d. 1936], New York, by 1931;[2] by inheritance to Mrs. Helen Brooks, New York; sold June 1936 to (Marie Harriman Gallery, New York);[3] W. Averell Harriman [1891-1986], New York; W. Averell Harriman Foundation, New York; gift 1972 to NGA.
[1] Lent by Hessel to the 1926 Paris exhibition of Trente ans d'art indépendant 1884-1914.
[2] Lent by Brooks to the 1931 Museum of Modern Art, New York, exhibition of Lautrec-Redon.
[3] Harriman acquisition date and source according to Harriman collection records in NGA curatorial files.

Associated Names

Exhibition History

1921

  • Loan Exhibition of Impressionist and Post-Impressionist Paintings, The Metropolitan Museum of Art, New York, 1921, no. 117, repro.

1926

  • Trent ans d'art indépendant 1884-1914, Grand Palais des Champs-Elysées, no. 3248

1931

  • Loan Exhibition of Paintings, Drawings, Prints, and Posters by Henri de Toulouse-Lautrec, The Art Institute of Chicago, 1931, no. 16, repro.

1934

  • Exhibition of Important Paintings by Great French Masters of the Nineteenth Century. Durand-Ruel Galleries, New York, 1934, no. 28, repro.

1937

  • Exhibition of French Masters from Courbet to Seurat, Jacques Seligmann & Co., New York, 1937, no. 20

  • French Painting, Marie Harriman Gallery, New York, 1937, no. 19

  • Toulouse-Lautrec: Paintings - Drawings - Posters, M. Knoedler & Co., New York, 1937, no. 8

1939

  • Modern French Masters, Marie Harriman Gallery, New York, 1939, no. 14

1940

  • Golden Gate International Exposition, San Francisco, 1940, no. 305, repro.

1941

  • Aspects of French Painting from Cezanne to Picasso, Los Angeles County Museum, 1941, no. 47, repro.

1942

  • Corot to Van Gogh, Paul Rosenberg & Co., New York, 1942, no. 10, repro.

  • Loan Exhibition of Masterpieces of Painting, Art Association of Montreal, 1942, no. 76

1946

  • A Loan Exhibition of Toulouse-Lautrec, Wildenstein & Co., New York, 1946, no. 14, repro.

1950

  • Nineteenth Century French Paintings, Yale University Art Gallery, New Haven, 1950, no. 20, repro.

  • Paintings by Impressionists and Post-Impressionists, Virginia Museum of Fine Arts, Richmond, 1950, no cat.

1955

  • Toulouse-Lautrec, Philadelphia Museum of Art, 1955, no. 23, repro.

1956

  • French Painting of the Last Half of the Nineteenth Century, The North Carolina Museum of Art, Raleigh, 1956, unnumbered cat., repro.

1959

  • Henri de Toulouse-Lautrec: A Loan Exhibition of Paintings, Drawings, Prints, and Posters, Los Angeles Municipal Art Gallery, 1959, no. 10, repro.

1961

  • Exhibition of the Marie and Averell Harriman Collection, National Gallery of Art, Washington, 1961, unnumbered catalogue, repro. 22

1986

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, Washington, State Hermitage Museum, Leningrad; State Pushkin Museum of Fine Arts, Moscow, 1986, no. 40, repro.

2011

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 49, repro.

2012

  • Toulouse-Lautrec: Paris & the Moulin Rouge, National Gallery of Australia, Canberra, 2012-2013, unnumbered catalogue, repro.

2017

  • Toulouse-Lautrec: Em Vermelho = In Red, Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, 2017, no. 118.

Bibliography

1971

  • Dortu, M.G. Toulouse-Lautrec et son oeuvre. 6 vols. New York, 1971:II:P395, repro.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 352, repro.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 529, no. 797, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 403, repro.

1995

  • Halpine, Susana M. "An Investigation of Artists' Materials Using Amino Acid Analysis: Introduction of the One-Hour Extraction Method." Studies in the History of Art 51 (1995): 58-61, repro. no. 20.

Inscriptions

lower right initials in monogram followed by rest of last name: THLautrec / 91

Wikidata ID

Q20190260

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