Studies for Judith and Holofernes, David and Goliath, The Finding of Moses, and Others [recto]

c. 1582

Veronese

Artist, Venetian, 1528 - 1588

Media Options

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Artwork overview

  • Medium

    a) pen and brown ink with brown wash on laid paper b) pen and brown ink and wash on laid paper

  • Credit Line

    The Armand Hammer Collection

  • Dimensions

    sheet: 29.8 × 19.6 cm (11 3/4 × 7 11/16 in.)

  • Accession

    1987.24.4.a

Associated Artworks

Studies for the Raising of Lazarus and Other Compositions [verso]

Veronese

1582


Artwork history & notes

Provenance

Zaccaria Sagredo [1653-1729], Venice; Emile Wauters [1846-1933] (Lugt 911), Paris; (sale, Frederick Müller, Amsterdam, 15-16 June 1926, no. 32); Robert von Hirsch [1883-1977], Frankfurt and Basel; (sale, Sotheby's, London, 20 June 1978, no. 30); John R. Gaines [1928-2005], Lexington, KY; (Sale, Sotheby's, New York, 17 November 1986, no. 11); purchased by Armand Hammer for the National Gallery of Art, 1986.

Associated Names

Exhibition History

1925

  • Dessins AnciensCollection de M.-EW, Amsterdam, Frederik Muller &Cie, 1926, Juin 15-16, 7, no. 32

1978

  • The Robert von Hirsch Collection: Volume I, Old Master Drawings, Paintings, and Medieval Minatures, Sotheby Parke Bernet, London, June 20, 1978, no. 30

1986

  • The John R. Gaines Collection, Soethby's, New York, Nov. 17, 1986, no. 11

1987

  • Master Drawings from the Armand Hammer Collection, National Gallery of Art, Washington, 1987, 88-90, no. 9.

1988

  • The Art of Paolo Veronese 1528-1588, National Gallery of Art, Washington, DC, 1988-1989, no. 75.

2006

  • The Poetry of Light: Venetian Drawings from the National Gallery of Art, National Gallery of Art, Washington, DC, 2006, unnumbered brochure.

2014

  • The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014-2015, no. 29.

2018

  • Drawing in Tintoretto's Venice, The Morgan Library & Museum, New York; National Gallery of Art, Washington, 2018 - 2019, no. 13.

Bibliography

1913

  • Lees, Frederic. The Art of the Great Masters as exemplified by Drawigns in the Collection of Emile Wauters. London, 1913: 51, figs. 66-67.

1921

  • Borenius, Tancred. "A Group of Drawings by Paul Veronese," The Burlington Magazine (February 1921): 54.

1926

  • Von Hadeln, Detlev Freiherr. Venezianische Zeichnungen der Spätrenaissance. Berlin, 1926: 27.

1927

  • Osmond, Percy H. Paolo Veronese: His Career and Work. London, 1927: 100.

1928

  • Fiocco, Giuseppe. Paolo Veronese, 1528-1588. Bologna, 1928: 194, 210.

1934

  • Fiocco, Giuseppe. Paolo Veronese. Rome, 1934: 131.

1944

  • Tietze, Hans, and Erika Tietze-Conrat. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York, 1944: 336, 339, no. 2028, pls. CLII, CLIII.

1973

  • Cocke, Richard. "Observations on Some Drawings by Paolo Veronese," Master Drawings (Summer 1973): 141-143, pl. 9.

1976

  • Pignatti, Terisio. Veronese. 2 vols. Venice, 1976: 1:164, 174, 189; 2:fig. 754.

1983

  • Shearman, John. The Early Italian Pictures in the Collection of Her Majesty the Queen. Cambridge, 1983: 288-289, no. 316.

1984

  • Cocke, Richard. Veronese's Drawings: A Catalogue Raisonné. London, 1984: 22, 25, no. 99, 99v.

1985

  • Byam Shaw, James. "Review of Richard Cocke, Veronese's Drawings." The Burlington Magazine (May 1985): 309.

  • Coutts, Howard. "Veronese's Paintings for Carlo Emanele I of Savoy" The Burlington Magazine (May 1985): 301, 302, fig. 52.

1986

  • Crosato, Luciana Larcher. "I disegni di Paolo Veronese," Arte Veneta (1986): 255.

1987

  • Master Drawings from the Armand Hammer Collection. Exh. cat. National Gallery of Art, Washington, 1987: 88-90.

1988

  • The Art of Paolo Veronese. Exh. cat. National Gallery Art, Washington, 1988: 145-147.

1996

  • Artemieva, Irina. "Una 'Resurrezione de Lazzaro' di Paolo Veronese," Arte Veneta vol. 48, no. 1 (1996): 20-24, figs. 2 (recto), 3-4 (verso).

2001

  • Rearick, William R. Il disegno veneziano del Cinquecento. Milan, 2001: 168-169, fig. 84 (recto).

Inscriptions

recto: inscribed at upper left in pen and brown ink in the hand of Marcantonio Gandini: Al molto Mag[nifi]co S[igno]r Paulo/Caliari Veronese comp[ar]e et/S[igno]r/mio col[endissi]mo/Venezia/con un rotolo di br[accia] 12 1/2 Ratta gottonata nera/A S. Samuel presso la fabrica/nova da ca mozenigo; in another hand at upper center, upside down: P:no:44; at upper right in pen and brown ink: una Giudite ch[e] talia la testa Aholofe; upper center in pen and brown ink: Per[?] un prespio; center right in pen and brown ink: Nano;c L //in pen and brown ink at left (to the left of a standing female figure): per Lazzaro [?]; verso:inscribed at top in the hand of Marcantonio Gandini: Mag[nifi]co S[igno]r Comp[ar]e/Mando a V[ostra] S[ignoria] li br[accia] 12 1/2 rassa, la/quale credo piacerà à cui/deve adoperarla; se in altro posso servirla ella mi comandi/et di core la saluto. Di trivigi a 18 7[em]bre 1582. D[i] V[ostra] S[ignoria]/Comp[are] aff[etuossissi]mo/+3/REMI Marc Ant[oni]o Gandino/pro 50 stampa a la sua spesa 100 folli che/sarano Carte 50. In another hand at lower left in brown ink: Paolo Veronese

Markings

recto: Emile Wauters (Lugt 911)

Wikidata ID

Q64633612


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