Portrait of a Boy in Profile
1440s
Artist, Veronese, 1379 - 1448/1451

Artwork overview
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Medium
pen and tip of the brush with brown ink over lead point (laid on later blue paper)
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Credit Line
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Dimensions
overall: 20.7 × 15.4 cm (8 1/8 × 6 1/16 in.)
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Accession
2014.9.1
Artwork history & notes
Provenance
Antonio Badile II [1424 - 1507/1512], Verona, his descendents; probably Ludovico Moscardo (in the so-called Moscardo album) (Lugt 2990b), by descent to Mario Miniscalchi Erizzo [1881-1957], Verona; Francis Matthiesen Gallery, London (1954); the private financier of hte Matthiesen purchase chose this drawing for himself in partial repayment; (sale, London, Christie's, 6 July 1982, lot 20); purchased by Ian Woodner, New York; by inheritance to his daughters, Andrea and Dian Woodner, New York, 1990; gift to NGA, 2014.
Associated Names
Exhibition History
1983
Master Drawings from the Woodner Collection, J. Paul Getty Museum, Malibu and tour, 1983-85, no. 4.
1986
Meisterzeichnungen aus Sechs Jahrhunderten: Die Sammlung Ian Woodner, Haus der Kunst, Munich and Vienna, 1986, no. 4.
Dibujos de los siglos XIV al XX: Colección Woodner, Museo del Prado, Madrid, 1986-7, no. 5.
1987
Master Drawings: The Woodner Collection, Royal Academy of Arts, London, 1987, no. 3.
1990
Master Drawings from the Woodner Collection, Metropolitan Museum of Art, New York, 1990, no. 4.
1995
The Touch of the Artist: Master Drawings from the Woodner Collections, National Gallery of Art, Washington, 1995-1996, no. 5.
2006
Master Drawings from the Woodner Collections, National Gallery of Art, Washington, D.C., 2006 - 2007.
2014
The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014 - 2015, no. 1.
2017
The Woodner Collections: Master Drawings from Seven Centuries, NGA, 2017.
Bibliography
n.d.
Ward, Roger. "Master Drawings from the Woodner Collection, Washington, D.C." The Burlington Magazine 126, no. 973 (April 1984): 252 (under no. 4).
1966
Disegni del Pisanello e di maestri del suo tempo. Exh. cat., 1966: 42 (26A).
1983
Master Drawings from the Woodner Collection. Exh. cat. J. Paul Getty Museum, 1983: 21-23.
1986
Die Sammlung Ian Woodner. Exh. cat. Albertina, Vienna, 1986: 8-9.
Meisterzeichnungen aus sechs Jahrhunderten: Die Sammlung Ian Woodner. Exh. cat. Dumont, Munich, 1986: 8-9.
Dibujos de los siglod XIV al XX: Coleccion Woodner. Exh. cat. Fundacion Amigos del Museo del Prado, Madrid, 1986: 26-27.
1987
Master Drawings: The Woodner Collection. Exh cat. Royal Academy of Art, London, 1987: 24-25.
1990
Woodner Collection: Master Drawings. Exh. cat. The Metropolitan Museum of Art, New York, 1990: 26-27.
1995
The Touch of the Artist: Master Drawings from the Woodner Collections. Exh. cat. National Gallery of Art, Washington, 1995-1996: no. 5, 40-43.
2010
Degenhart, Bernhard, and Annegrit Schmitt, Corpus der Italienischen Zeichnungen 1300-1450. Munich: Biering & Brinkmann, 2010: No. 779, 56-61.
2014
Karet, Evelyn.The Antonto Il Badile Album of Drawings: The Origins of Collection Drawings in Early Modern Northern Italy. Ashgate, Farnham, Surrey, 2014: 12, 30 (n. 79), 86-87, 232-233.
Inscriptions
by Antonio Badile II, upper center in pen and brown ink: 2 / joane badille qual fu prete (who was a priest)
Markings
inscribed in pen and brown ink “•2/•joane badille qual fu prete•”
Wikidata ID
Q64572305