Dr. Gustav Mez

Swiss, born Germany

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Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us. A gateway there opens onto a bridge or walkway that extends back and behind the buildings. Tiny in scale, people stand, sit, or ride singly or in small groups on the dirt road that spans the lower edge of the composition. One man sits on a bench in a fenced-in, grassy enclosure at the lower right, and another man there wears monk’s robes and holds a basket. The land must dip down steeply between the dirt road and riverbank, for a few rooftops nestled in there have chimneys at road level. Houses, churches, and grand structures line the far riverbank and fill in the town beyond. Many of the buildings are white or tan with dark red roofs, though others are brown or gray. Trees and an open green space are tucked among the structures. A pale blue sky with wispy, petal-pink and light tan clouds fills the top half of the composition.
Bernardo Bellotto, Italian 18th Century, View of Munich, c. 1761, oil on canvas, Samuel H. Kress Collection, 1961.9.64

View of Munich

Bernardo Bellotto, Italian 18th Century · c. 1761 · oil on canvas ·  Accession ID  1961.9.64

Bernardo Bellotto, Italian 18th Century, Nymphenburg Palace, Munich, c. 1761, oil on canvas, Samuel H. Kress Collection, 1961.9.63

Nymphenburg Palace, Munich

Bernardo Bellotto, Italian 18th Century · c. 1761 · oil on canvas ·  Accession ID  1961.9.63