Alfonso I d' Este, Duke of Ferrara

Italian, died 1534

Explore Selected Works

Dosso Dossi, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, c. 1520, oil on canvas, Purchased as the Gift of Anonymous, 2021.6.1

The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily

Dosso Dossi · c. 1520 · oil on canvas ·  Accession ID  2021.6.1

On the right side of this horizontal painting, two light-skinned men stand close to us on a spit of land separated from the rest of the scene by stretch of water that leads back to a town on the far shore. People gather on and around two boats floating in the water between the spit of land to our right and a copse of trees to our left. Beginning with the pair of men to our right: one man looking toward us has a broad forehead and grizzled blond beard. He wears a brick-red and canary-yellow turban, a yellow and crimson-red striped doublet with puffy sleeves, and a red codpiece. His scarlet-red hose have decorative slashes down the thigh to show yellow fabric underneath. He holds one long sword in his left hand, to our right, so the blade rests on that shoulder, and another sword hangs in a scabbard on his waist. Facing him, to our right, is the second man. He has a dark beard and a broad red hat trimmed with white feathers. He wears a doublet with wide red and white horizontal stripes and a white codpiece. His close-fitting white hose have thin, dark lines running from his waist to his feet, like pinstripes. He rests the back of his left hand, closer to us, on his hip. The tip of a long sword rests between his feet, and his far hand holds the hilt, which is as tall as his shoulder. Both men wear slipper-like shoes. Beyond this pair, near the center of the composition, a dozen men work on the wooden ships in the waterway. The trees to our left have feathery canopies of dense green foliage highlighted with butter yellow. A red pennant flutters in the wind near the left edge of the painting. About two dozen men, women, and children sit and stand closely under the trees. They wear capes, robes, turbans, and headdresses in aquamarine blue, marigold orange, burgundy red, cream white, and laurel green. Several of them are turned toward a woman dressed in blue holding an infant. Along the far shoreline, to our right, a city with tan-colored, stone towers glows under a soft topaz-blue sky, mirrored in the luminous blue water, as a ship with a billowing white sail passes by. On the distant horizon, high mountain peaks are faintly visible through a steel-blue haze.
Dosso Dossi, The Trojans Repairing Their Ships in Sicily, c. 1520, oil on canvas, Samuel H. Kress Collection, 1939.1.250

The Trojans Repairing Their Ships in Sicily

Dosso Dossi · c. 1520 · oil on canvas ·  Accession ID  1939.1.250

Dosso Dossi, Saint Lucretia, c. 1520, oil on panel, Samuel H. Kress Collection, 1939.1.388

Saint Lucretia

Dosso Dossi · c. 1520 · oil on panel ·  Accession ID  1939.1.388

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”
Giovanni Bellini, Titian, The Feast of the Gods, 1514/1529, oil on canvas, Widener Collection, 1942.9.1

The Feast of the Gods

Giovanni Bellini, Titian · 1514/1529 · oil on canvas ·  Accession ID  1942.9.1

Set in a landscape, a young man holding a broken lance lunges over the neck of his horse to look at the body of a forest-green dragon on the ground beneath them, while a young woman looks on from our left in this vertical painting. The man and woman both have light skin. The horse and rider are in the center, facing our right, and the man’s scarlet-red cape flutters upward. His right arm, to our left, is bent sharply as he thrusts the shard of the red-and-white striped lance down. His eyebrows are drawn together, and his mouth is open, the corner we can see pulled down. Form-fitting, royal-purple armor protects his torso, and he wears a bronze and silver helmet topped with red and white feathers. His muscular arms are bare, as is the knee we can see between a celery-green skirt and a gray sandal that covers most of that shin. His saddle and saddle blanket are blueberry blue. The brown horse has a dark mane and tail. It lunges forward and down with mouth wide open and teeth bared, so it trounces or pins the dragon beneath its front legs. The dragon is curled in a ball on the lower right side of the composition with its head wrenched backward onto its body. Crimson-red drops of blood drip from its gaping mouth. The young woman stands on the left side of the composition with one knee kneeling on a tall rock. She faces us, wearing a cranberry-red gown under a gold cloak that drapes from her right shoulder, to our left, across her back, and over the other knee. A delicate gold crown rests on her dark blond hair, and she lifts her eyes to look up at the man. Her hands are raised in front of her chest, with gold bracelets and chains hanging from her wrists. In the lower right corner of the painting, a severed foot, arm, and two heads lie near the dragon. Trees with tall, narrow, deep green canopies and one tree with spindly branches lined with delicate leaves separate the scene in front of us from the landscape beyond. In the distance, a city of white stone buildings cluster on a steep hill that rises to our left from a harbor. Tiny in scale, about a dozen people are gathered on two roofs of a multi-level structure, while others move on foot or on horseback down a road leading toward us. The powder-blue sky is scattered with puffy, white clouds. A winged angel surrounded by a butter-yellow aura hovers in the upper right corner.
Sodoma, Saint George and the Dragon, probably 1518, oil on panel, Samuel H. Kress Collection, 1952.5.76

Saint George and the Dragon

Sodoma · probably 1518 · oil on panel ·  Accession ID  1952.5.76