Paul Rosenberg

French, 1881 - 1959

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See all 22 works of art
A glass bottle, a glass carafe, a stemmed glass, several pieces of fruit, and white and blue cloths are arranged on a wooden table in this horizontal still life. The bottle and carafe are at the center of this composition. The bottle has a crimson-red label, and the carafe has a tall, narrow neck and a rounded body. The stemmed glass has straight, flaring sides, and it sits on the table just in front of the carafe. Several pieces of fruit, painted in reds and yellows, are interspersed on the white cloth that surrounds the glassware. The muted, celestial-blue tablecloth is patterned with scrolls and leaves, and it bunches around the objects on the tabletop. The wall behind the table is mottled with cool blues and greens, and a brown line, perhaps a chair rail, runs from behind the still life to the right edge of the painting. Short brushstrokes are visible throughout.
Paul Cezanne, The Peppermint Bottle, 1893/1895, oil on canvas, Chester Dale Collection, 1963.10.104

The Peppermint Bottle

Paul Cezanne · 1893/1895 · oil on canvas ·  Accession ID  1963.10.104

Georges Braque, Peonies, 1926, oil on wood, Chester Dale Collection, 1963.10.90

Peonies

Georges Braque · 1926 · oil on wood ·  Accession ID  1963.10.90

Paul Cezanne, Banks of the Seine at Médan, 1880-1885, watercolor and graphite, Florian Carr Fund, 2013.102.1

Banks of the Seine at Médan

Paul Cezanne · 1880-1885 · watercolor and graphite ·  Accession ID  2013.102.1

A bouquet of at least six red and pink-edged white flowers in a blue bottle is at the center of this vertical, still-life watercolor. Some petals are picked out with blue-gray lines, and the blooms are touched with areas of golden yellow, emerald green, and sky blue around a graphite sketch. The bottom portion of the bottle itself fades away with sketchy lines and washes about three-quarters of the way down the painting. The space behind the flowers is painted with loose strokes making widely spaced, overlapping, diagonal bands filled in with frosty green, mauve pink, smoky pale purple, and muted blue. Another set of bands angling into the composition from the left edge could represent the corner of a table.
Paul Cezanne, Roses in a Bottle [recto], 1900/1904, watercolor over graphite on wove paper, Collection of Mr. and Mrs. Paul Mellon, 1995.47.26.a

Roses in a Bottle [recto]

Paul Cezanne · 1900/1904 · watercolor over graphite on wove paper ·  Accession ID  1995.47.26.a

Paul Cezanne, Waking Up [verso], c. 1880, watercolor and graphite on wove paper, Collection of Mr. and Mrs. Paul Mellon, 1995.47.26.b

Waking Up [verso]

Paul Cezanne · c. 1880 · watercolor and graphite on wove paper ·  Accession ID  1995.47.26.b

Paul Cezanne, Man with Pipe, 1892/1896, oil on canvas, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, 1972.9.3

Man with Pipe

Paul Cezanne · 1892/1896 · oil on canvas ·  Accession ID  1972.9.3

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait. Her chair has a rounded back and arms made from what looks like bent, woody vines, and the background is a solid field of pale aqua. Her dark hair is parted in the middle and tied at the nape of her neck with a red ribbon. Dark eyebrows curve over brown eyes, and she has a rounded nose, and her petal-pink lips are slightly parted. Her pale peach skin is tinged with green on her face and hands. Her right arm, on our left, rests along the arm of the chair. In her other hand, which rests in her lap, she holds a sprig of blooming oleander, with light pink flowers and green leaves. The bodice of her high-necked dress is striped with brick red and royal blue, and is lined with a row of round gold buttons down the front. The sleeves come down to her forearms and the cuffs and collar at her neck are white. Her full skirt is royal blue with pumpkin-orange dots. The brushwork is loose throughout and individual brushstrokes are visible, especially in the stripes of her bodice and the patchy peach tones that make up her skin.
Vincent van Gogh, La Mousmé, 1888, oil on canvas, Chester Dale Collection, 1963.10.151

La Mousmé

Vincent van Gogh · 1888 · oil on canvas ·  Accession ID  1963.10.151

Jean-Auguste-Dominique Ingres, Sketch for Madame Moitessier, graphite on wove paper, Gift of Paul Rosenberg, 1951.14.1

Sketch for Madame Moitessier

Jean-Auguste-Dominique Ingres · · graphite on wove paper ·  Accession ID  1951.14.1

A woman plays an upright piano as two boys play checkers at a table in this horizontal painting. The scene is loosely painted with areas of flat color and pattern. The people have pale, peachy skin and dark brown hair. Their facial features are painted with dots or short strokes of black. The piano is against the wall to our left. The woman wears a short-sleeved, lemon-yellow dress with a long skirt. A music book is propped on the music stand, and loosely painted objects line the top of the instrument. The wall behind the piano is patterned with white and pale yellow flowers under and around arches against a cranberry-red background. The table where the boys play is in the middle of the room. The players sit in wooden chairs and wear black and white striped jackets with white collars. The boy to our right looks at the board while resting his left cheek, closer to us, in his hand. The other boy looks on with his arms on the table in front of him. The checkerboard sits on a red and white striped cloth, which has lines of black dots in the white strips. Beneath the table is a floral rug with blue and black flowers against a red background. The border is painted loosely with leafy shapes against bright white. Beneath the area rug the floor or another carpet is garnet red with a diamond-shaped grid painted in orange. A petal-pink, upholstered chair sits in front of a tall wardrobe in the back corner of the room. A picture with two violins against a blue background hangs on the side of the furniture to our right. A chest of drawers next to the wardrobe holds a few bowls or objects and a white statue, about half human height. The statue is of a person standing with one knee bent in front of the other, one elbow tucked by the side with that hand held to the chest, and the other bent elbow raised overhead. Pictures hang on the wall around the statue, and the wallpaper there is ivory white with a dark yellow pattern. The artist signed the work in the lower right corner, “Henri Matisse.”
Henri Matisse, Pianist and Checker Players, 1924, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1985.64.25

Pianist and Checker Players

Henri Matisse · 1924 · oil on canvas ·  Accession ID  1985.64.25

Shown from the hips up, a woman and a man stand side-by-side in front of a window and curtain in this vertical painting. The people and background are painted with mostly flat areas of vivid color, with their bodies and features outlined in black. The man and woman both have paper-white skin, brown hair, straight noses, and small mouths. They stand facing us so the woman’s shoulder slightly overlaps the man’s. The man’s right arm wraps around the woman to rest on the far side of her neck. She holds his left hand with her left hand, both to our right, and her other arm is tucked into her waist. The woman’s head tilts to our right, toward the man, while her shoulders slope slightly away to our left. She looks off to our right with dark eyes under thin brows. Her white shirt is the same color as her skin. A sea green-cloth drapes over her head and one shoulder, and her skirt is buttercup yellow. The man turns his head to look at the woman. His clothing is coral red. The couple stands in front of a mauve-purple curtain on our right and a window with baby-blue panes set within an ash-gray frame on our left. The artist signed the painting in brown in the lower right, “Picasso 23.”
Pablo Picasso, The Lovers, 1923, oil on linen, Chester Dale Collection, 1963.10.192

The Lovers

Pablo Picasso · 1923 · oil on linen ·  Accession ID  1963.10.192

Bibliography

1933

  • Eglington, Laurie. "Paul Rosenberg Now in New York Comments on Art." The Art News 32 (December 2, 1933): 3-4.

1941

  • "Rosenberg Opens." The Art Digest 16 (15 November 1941): 6.

1959

  • "Paul Rosenberg, Art Dealer, Dies." [obit.] The New York Times. (1 July 1959): 31.