Shepherd Gallery Associates, Inc.

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Alexandre Benois, The Castellet at Trébeurden, 1939, watercolor over graphite on wove paper, Gift of the Christian Humann Foundation, 1996.128.1

The Castellet at Trébeurden

Alexandre Benois · 1939 · watercolor over graphite on wove paper ·  Accession ID  1996.128.1

Félix Bracquemond, Coastal Landscape, brush and black ink with (faded) blue wash on brown wove paper, Gift of the Christian Humann Foundation, 1996.128.10

Coastal Landscape

Félix Bracquemond · · brush and black ink with (faded) blue wash on brown wove paper ·  Accession ID  1996.128.10

Erich Mallina, Icarus, c. 1910, graphite with pen and black ink, watercolor, and metallic paint (bronze, gold, and silver) on laid paper, Joseph F. McCrindle Collection, 2009.70.161

Icarus

Erich Mallina · c. 1910 · graphite with pen and black ink, watercolor, and metallic paint (bronze, gold, and silver) on laid paper ·  Accession ID  2009.70.161

Rodolphe Bresdin, Interior: Dancing Girls Entertaining Chieftains, probably c. 1870, graphite over red chalk on wove paper with commer cially prepared cream ground, Andrew W. Mellon Fund, 1977.11.1

Interior: Dancing Girls Entertaining Chieftains

Rodolphe Bresdin · probably c. 1870 · graphite over red chalk on wove paper with commer cially prepared cream ground ·  Accession ID  1977.11.1

Charles-François Daubigny, Bridge over an Estuary, charcoal and pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1973.43.1

Bridge over an Estuary

Charles-François Daubigny · · charcoal and pen and brown ink on laid paper ·  Accession ID  1973.43.1

František Kupka, Animals in the Forest, watercolor over graphite on wove paper, Gift of the Christian Humann Foundation, 1996.128.23

Animals in the Forest

František Kupka · · watercolor over graphite on wove paper ·  Accession ID  1996.128.23

Félix Bracquemond, Chicks, brush and black ink with touches of gray wash over graphite on brown paper, Gift of the Christian Humann Foundation, 1996.128.11

Chicks

Félix Bracquemond · · brush and black ink with touches of gray wash over graphite on brown paper ·  Accession ID  1996.128.11

A winged woman has hoisted a young, muscular man up and across one shoulder in this freestanding bronze statue. In this view, the woman runs toward us, her back foot lifted, as she wraps her arms around the man’s thighs. She looks off to our left, her hair swept up. Long, narrow wings slice into the space behind her. Her chest and shoulders are covered with gold armor, and drapery swirls around her legs. The man is nearly nude, covered only with a cloth across his groin. His arms are flung wide, one reaching high in the air and the other holding a broken sword by the woman’s shoulder. His head lolls to one side, his lips parted. A laurel branch lies at the woman’s foot on a small mound textured like a rock. An inscription on the front rim of the base reads “GLORIA VICTIS.”
Marius-Jean-Antonin Mercié, Gloria Victis, model c. 1874, cast after 1879, bronze, Andrew W. Mellon Fund, 1985.52.1

Gloria Victis

Marius-Jean-Antonin Mercié · model c. 1874, cast after 1879 · bronze ·  Accession ID  1985.52.1

Charles Émile Jacque, Sheep in a Manger, gray wash with touches of pink watercolor over black chalk, heightened with white on gray paper, Gift of the Christian Humann Foundation, 1996.128.20

Sheep in a Manger

Charles Émile Jacque · · gray wash with touches of pink watercolor over black chalk, heightened with white on gray paper ·  Accession ID  1996.128.20

A woman wrapped in silver and gold robes lifts fabric to reveal her head and face in this freestanding cast bronze sculpture. The woman’s skin and a garment held in place with a belt are polished gold. The fabric that drapes over her head and wraps around her garment is silver, and her hair is dark brown. In this photograph, her body faces us, and she tips her head to look down and slightly to our left. She has a long nose, high cheekbones, a pointed chin, and her lips are closed. The belt has an oval green stone at the front, and it wraps tightly around her ribcage just under her bare breasts. The gold garment puddles around her bare feet, and a bit spills off the front edge of the brown, bronze square platform, which sits on a slightly wider marble base swirled with white and russet brown.
Louis-Ernest Barrias, Nature Unveiling Herself before Science, model 1895/1899, cast c. 1900, bronze with silvering and malachite, Gift of Frank Anderson Trapp, 2004.166.1

Nature Unveiling Herself before Science

Louis-Ernest Barrias · model 1895/1899, cast c. 1900 · bronze with silvering and malachite ·  Accession ID  2004.166.1