Albright Art Gallery, “International Exhibition of Pictorial Photography,” 3 November–1 December

Works Exhibited

419 Winter, Fifth Avenue, 1892 (carbon)
420 The Terminus, 1892 (carbon)
421 The Old Mill, 1894 (photogravure)
422 The Net-Mender, 1894 (carbon)
423 A Wet Day on the Boulevard, 1894 (carbon)
424 Scurrying Home, 1894 (photogravure)
425 Landing of the Boats, Katwyk, 1894 (carbon)
426 Watching for the Return, Katwyk, 1894 (carbon)
426A Gossip—Katwyk, 1894 (carbon)
427 The Street, Fifth Avenue, 1896 (photogravure)
427A Goats Along the Seine, 1894–1896 (photogravure)
428 Spring Showers, New York, 1899 (photogravure)
429 Icy Night, Central Park, Fifth Avenue, 1898 (carbon)
430 Spring, 1900 (photogravure)
431 From my Window, New York, 1902 (photogravure)
432 The Flatiron, New York, 1902–1910 (photogravure)
433 The Hand of Man, 1902 (photogravure)
434 Railroad Yard, Winter, New York, 1903 (photogravure)
435 Going to the Post, Morris Park, 1904 (photogravure)
436 The Swimming Lesson, Lake George, 1905 (bromide)
437 The Aeroplane, 1910 (photogravure)
438 The Dirigible, 1910 (photogravure)
439 The City of Ambition, 1910 (photogravure)
440 Lower Manhattan, 1910 (photogravure)
441 Outward Bound, The “Mauretania,” 1910 (photogravure)
442 The City Across the River, 1910 (photogravure)
443 Old and New New York, 34th Street, 1910 (photogravure)
444 Landscape, The Tyrol, 1904 (photogravure)
445 After Working Hours, The Ferry Boat, 1910 (photogravure)

^† Nos. 419, 420, 422–426, 427–433, 435–437, and 440–445 are depicted in installation photographs in a private collection

Select Reviews

“Editorial Comment: An Important Exhibition,” American Photography 4:6 (June 1910), 346–347

“Editorial Comment: The Albright Exhibition,” American Photography 4:8 (August 1910), 476

[W. French], “Editorial: The Photo-Secession and the Independents,” Photo Era 25:3 (September 1910), 135–136

“Editorial: Alfred Stieglitz on the Defensive,” Photo Era 25 (October 1910), 188

“The Week in Review,” Abel’s Photographic Weekly 6:149 (5 November 1910), 203

Sidney Allan [Sadakichi Hartmann], “Photography a Fine Art, Exhibition of Secessionists at Buffalo Museum,” The Evening Post (9 November 1910), 9

“Exhibition of Secessionists at Buffalo Museum,” Abel’s Photographic Weekly 6:151 (19 November 1910), 227–228

F. Austin Lidbury, “Some Impressions of the Buffalo Exhibition,” American Photography 4:12 (December 1910), 676–681

[Untitled], The Photographic Times 42 (December 1910), 482

William D. MacColl, “International Exhibition of Pictorial Photography at Buffalo,” International Studio 43 (1911), 11–15)

H. S. W., “The Buffalo Exhibition; and the Aftermath,” The Amateur Photographer and Photographic Times 53 (31 January 1911), 102

Walter E. Bertling, “The Albright Art Gallery Exhibition,” Photo Era 26:1 (January 1911), 13–18

“The Albright Exhibition,” Photo Era 26 (January 1911), 51

Charles H. Caffin, “The Exhibition at Buffalo,” Camera Work 33 (January 1911), 21–23

Joseph T. Keiley, “The Buffalo Exhibition,” Camera Work 33 (January 1911), 23–29

Sadakichi Hartmann, “What Remains,” Camera Work 33 (January 1911), 30–32

“The Exhibition at the Albright Gallery—Some Facts, Figures, and Notes,” Camera Work 33 (January 1911), 61–71

Klingsor, the Magician, “Our Second Pilgrimage,” Camera Work 33 (January 1911), unpaginated

The Chief, “Supplement to ‘Camera Work’—Notes and Comments,” Camera Work 33 (January 1911), unpaginated

[Frank R. Fraprie], “Editorial Comment: The Albright Show,” American Photography 5:1 (January 1911), 42–44

“Society News,” American Photography 5 (February 1911), 119–120

“Secession-Prints at the Albright,” Photo Era 26 (March 1911), 209

H. Snowden Ward, “The Work of the Year: The Secession Exhibition,” Photograms of the Year (London, 1911–1912), 26–27