Gary S. Davis
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Artwork
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Artwork
Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953.
Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953.
Allen Ginsberg
1953, printed 1990
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Artwork
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Artwork
Helen Parker's boys Bruce & Tommy, circa 1953, Greenwich Village, she was my friend when I was in N.Y. Psychiatric Institute a few years earlier, now we'd go to Italian restaurants downstairs on MacDougal Street with Ramblin Jack Eliot.
Helen Parker's boys Bruce & Tommy, circa 1953, Greenwich Village, she was my friend when I was in N.Y. Psychiatric Institute a few years earlier, now we'd go to Italian restaurants downstairs on MacDougal Street with Ramblin Jack Eliot.
Allen Ginsberg
1953, printed later
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Artwork
William S. Burroughs looking serious, sad lover’s eyes, afternoon light in window, cover of just-published Junkie propped in shadow above right shoulder, Japanese kite against Lower East Side hot water flat’s old wallpaper. He’d come up from South America & Mexico to stay with me editing Yage Letters and Queer manuscripts. New York Fall 1953.
William S. Burroughs looking serious, sad lover’s eyes, afternoon light in window, cover of just-published Junkie propped in shadow above right shoulder, Japanese kite against Lower East Side hot water flat’s old wallpaper. He’d come up from South America & Mexico to stay with me editing Yage Letters and Queer manuscripts. New York Fall 1953.
Allen Ginsberg
1953, printed 1995
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Artwork
William S. Burroughs & Alene Lee -- Queer & Yage letters in progress or mss. finished by Fall 1953 -- here photo'd with Kodak Retina tiny camera on rooftop 206 East 7th St. my apartment.
William S. Burroughs & Alene Lee -- Queer & Yage letters in progress or mss. finished by Fall 1953 -- here photo'd with Kodak Retina tiny camera on rooftop 206 East 7th St. my apartment.
Allen Ginsberg
1953, printed 1993
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Artwork
Jack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his Doctor Sax & The Subterraneans, Burroughs was in town, up from Mexico, New York, Fall 1953.
Jack Kerouac at Staten Island Ferry Wharf, we used to wander docksides under Manhattan’s bridges & thru truck parking lots along East River singing rawbone Blues, Leadbelly’s “Black Girl” or “Eli Eli,” chanting Poe’s “Annabelle Lee” & shouting Hart Crane’s “O Harp & Altar of the Fury fused!” or “Atlantis” to Brooklyn Bridge’s traffic spanned above. Time of his Doctor Sax & The Subterraneans, Burroughs was in town, up from Mexico, New York, Fall 1953.
Allen Ginsberg
1953, printed later
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Artwork
William Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published Junkie and we were assembling Yage Letters and Queer, Burroughs improvising earliest routines for Naked Lunch. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "Age of Anxiety." One mid-afternoon, Fall 1953, fixed with trembling hand.
William Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published Junkie and we were assembling Yage Letters and Queer, Burroughs improvising earliest routines for Naked Lunch. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "Age of Anxiety." One mid-afternoon, Fall 1953, fixed with trembling hand.
Allen Ginsberg
1953, printed 1993
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Artwork
Kodak-Retina snapshot by William Burroughs, living room 1953 Lower East Side, Jackson Mac Low portrait with recorder by Iris Brodey on wall. We were working on Bills S.A. letters. I had job on N.Y. World Telegram.
Kodak-Retina snapshot by William Burroughs, living room 1953 Lower East Side, Jackson Mac Low portrait with recorder by Iris Brodey on wall. We were working on Bills S.A. letters. I had job on N.Y. World Telegram.
Allen Ginsberg
1953, printed later
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Artwork
Williams Burroughs with a Newspaper 1953 couch 206 East 7th St. N.Y.
Williams Burroughs with a Newspaper 1953 couch 206 East 7th St. N.Y.
Allen Ginsberg
1953, printed later
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Artwork
Downtown Jacksonville's main street December 1953, Allen Ginsberg hitch-hiking to visit W.S. Burroughs' parents in Palm Beach, stopover to visit Bill's friend Marker, thence to Cuba, Yucatan & bus & train up to U.S. West Coast, meet Neal Cassady in San Francisco.
Downtown Jacksonville's main street December 1953, Allen Ginsberg hitch-hiking to visit W.S. Burroughs' parents in Palm Beach, stopover to visit Bill's friend Marker, thence to Cuba, Yucatan & bus & train up to U.S. West Coast, meet Neal Cassady in San Francisco.
Allen Ginsberg
1953, printed later
